Tag Archives: blacks

Abortionist sees aborting ‘ugly black babies’ as a service to the taxpayers

Abortionist sees aborting ‘ugly black babies’ as a service to the taxpayers

Timothy P. Carney\

Watch the video above, of a pro-life Christian group confronting an abortion doctor. The doctor says his abortions save taxpayers money, prevent shootings like the one in Colorado, and rid the world of “ugly black babies.”

I wonder how many abortionists and defenders of abortion hold this view of abortion’s social role. (Video via Lifesite News.)

UPDATE, 5:50 pm: The doctor in the video, apparently, is an active political donor, giving almost all his money to Democrats.


Black is the new White

“Dolphin Tale” Hollywood Hokum: Morgan Freeman Gets To Play Numinous Negro Yet Again

By Paul Kersey

Earlier this year, the New York Times made a big deal out of the fact that no Black actors were up for Best Actor at the Academy Awards. [Hollywood’s Whiteout, By Manohla Dargis And A. O. Scott, February 11, 2011]With his trademark sardonic wit, Steve Sailer wrote:

“How hard would it have been for Hollywood to cast an African American in The King’s Speech? Why did Helena Bonham-Carter get to play the Queen of England when Tyler Perry was available?

“Why wasn’t a single black actor even considered for the role of Mark Zuckerberg in The Social Network?

“Why did that hillbilly girl in Winter’s Bone wander around the Ozarks asking her white trash kinfolk where her pa was when she could have gone to a shaven-headed black computer hacker genius and had him locate her father using high tech satellite imagery? That would have been awesome.

“Why did Hollywood cast Christian Bale as Mark Wahlberg’s brother in The Fighter when they could have cast Diddy? Shouldn’t Morgan Freeman have played a wise janitor at their boxing gym?”

Funny—but in fact Hollywood routinely casts Black actors in roles that real life can’t replicate. The phenomenon of creating positive images of Blacks by fictionalizing their contributions to society is so pronounced that it can only be viewed as a systematic attempt to brainwash America.

For example, it is simply a fact that very few inventions can really be credited to Black scientists. (One exception: the Super Soaker, developed by Lonnie Johnson in 1989. That no film has yet to be made celebrating the amazing achievement of producing far superior, accurate, weaponized streams of water than the traditional water gun is a scandal).

But that fact doesn’t dissuade Hollywood from inserting Black scientists in big-budget films like Terminator 2: Judgment Day; a geologist in 2012; or a Black weapons manufacturer in Batman Begins and Dark Knight (and the upcoming Dark Knight Rises). That latter case would be, of course, Morgan Freeman, the quintessential “Numinous Negro”, to use Rick Brookhiser’s term—playing “Lucius Fox”.

Nevertheless, while Hollywood routinely creates fictional geniuses or saintly sages for Freeman to portray, the new children’s movie Dolphin Tale—in theaters, debuting in theaters at mid-day, September 23—is a horse (or dolphin) of a completely color.

This movie will make hundreds of millions of dollars, as it is one of the few films geared toward families. And includes the always crowd-pleasing story of white people looking out for wounded animals.

Dolphin Tale is the extraordinary “true” story of the dolphin, Winter, now the star attraction of the Clearwater Marine Aquarium.

Tragically, Winter lost her tail in a crab trap back in 2005. Heroically, two employees of Hanger Prosthetics & Orthotics, Kevin Carroll and Dan Strzempka, were so moved by Winter’s story that they developed an artificial tale for the dolphin.

Both Carroll and Strzempka are white. But in the film Dolphin Tale, both have been lumped into a composite character named “Dr. McCarthy”—who just happens to be black and just happens to be played by, naturally…Morgan Freeman.

Now you might be asking yourself: why does it matter that Hollywood has decided to put a Blackface on the actual white inventors of the artificial dolphin tail that saved Winter’s life? It’s just a movie—which happens to be produced by Alcon Entertainment, the same people who brought us 2009’s surprise multiracial feel-good hit The Blind Side.

It’s important because a lot of people are going to see this film—and, because most people believe what they see on television and in films, they’ll come away thinking that a Black guy actually invented this prosthetic tail that helped saved Winter’s life.

For example, in a recent Sheknows.com interview with Morgan Freeman (a man who said he’d vote for Obama a thousand times if he could, but that’s another story), entertainment editor Joel D. Amos wrote about the Freeman character, “Dr. McCarthy”, as if he actually existed:

“Morgan Freeman is Dr. McCarthy in Dolphin Tale, a man with a vision of creating a prosthetic tail for a dolphin named Winter who arrived at a Clearwater, Florida aquarium after losing his tail. Dolphin Tale is a true story and Freeman was thrilled to portray a man who would buck conventional wisdom by spending time and money creating something for a dolphin that most would never consider.

“To Morgan Freeman, Dr. McCarthy did much more than save the life of Winter, McCarthy inspired amputees and advanced the science of prosthetics while simultaneously rallying a Florida community around a dolphin who, in turn, inspired him.”

Ocean-Friendly In Dolphin Tale, SheKnows.com, September 14, 2011. (Link in original).

Surgeon General’s Warning: for all of you googling “Dr. McCarthy” hoping to learn about another Black inventor who helped make civilized society possible—stop.

Repeat: there is no real “Dr. McCarthy”. He is a creation of Hollywood.

Why would the Dolphin Tale producers and writers go to such absurd lengths to add diversity to a “true story”?—which, in real life, was just a bunch of boring white people saving the day yet again.

Maybe that is the reason. The rest of the movie’s cast is hideously white, like Super 8 or I am Number Four. Ashley Judd and Harry Connick Jr. also star in Dolphin Tale, rounding out a cast full of other white people. The insertion of a Black fictional image of Dr. McCarthy, played by Morgan Freeman, was perhaps necessary for this film to get green-lighted.

In a strange interview, inventor Dan Strzempka has discussed the casting choice of Freeman in a Politically Correct way. The writer, Natalie Shepherd (email her), begins with what might be called massive understatement:

“Dan Strzempka doesn’t look like Morgan Freeman, but he’s flattered the acting legend is bringing his sto
ry to life on the big screen.

“‘It’s an honor; he’s one of my favorite actors. He’s one of the best actors of all time, so it’s just a little intimidating,’ Strzempka said today in the laboratory at Hanger Prosthetics and Orthotics in Sarasota.

“Though the character’s name [PK: sic!] has been changed, Strzempka is a big part of the upcoming movie…”

Sarasota man who made Winter’s prosthetic tail excited about movie, September 22, 2011

You might think Winter’s tale didn’t need embellishing. For example, Strzempka himself is an amputee, having lost his leg above the knee in a lawnmower accident when he was four years old. And work done on Winter really is helping humans. See Hanger Orthopedic Group’s website here and Dolphin and Iraq veteran share wonder of prosthetics, by Tali Yahalom, USA Today, July 18 2007).

Morgan Freeman is of course the go-to “Numinous Negro” actor when a film needs a manufactured, positive image of a Black person. He’s made quite the career out of this typecasting. I discussed him extensively in my book Hollywood in Blackface: Black Images in Film from Night of The Living Dead to Thor..

In a review of my book, Brett Stevens wrote at Amerika.org:

“What may have spurred Kersey to action is the anomalous casting of African-descended Idris Elba as the Norse god Heimdall in the 2011 movie goof Thor. While the movie looks as stupid as 98% of what comes out of Hollywood, hangs out at the theatre like a juvenile delinquent, and then goes straight to DVD, the casting of a black artist as a white cultural figure provoked a turning point—what if, people asked, a white man was cast as a black cultural figure, like MLK or Malcolm X? We’d never hear the end of that.

“While it takes an acerbic approach, Hollywood in Blackface speaks up and points out the elephant in the room that we’re all ignoring. For every one Barack Obama or Morgan Freeman, several million black people live in an entirely different world, one in which diversity does not serve them and they end up impoverished, imprisoned and/or disillusioned. At this blog [Amerika.org], we’re honest enough to point out that the historical record of diversity shows that this is always the result. Others want to take a more extreme view and blame African-Americans for this condition. Kersey remains agnostic on this, wisely, and contents himself with satirizing the dichotomy.”

The much-lionized critic Susan Sontag once famously wrote that “the white race is the cancer of human history.” [Partisan Review, Winter 1967, p. 57(not online)] Left-wing activist Tom Hayden has admitted that one of his goals is the “disappearance of the white race”.

By systematically suppressing evidence that might suggest the contrary, Hollywood appears to agree.

Paul Kersey[Email him] is the author of the blog SBPDL, and has published the books SBPDL Year One and Hollywood in Blackface. He works in political consulting and resides in Denver, Colorado.


Libyan Rebels Round Up Blacks, Put Them In Prison Camps

Libyan Rebels Round Up Blacks, Put Them In Prison Camps

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Paul Joseph Watson

NATO-backed Libyan rebels are rounding up thousands of innocent black migrants and taking them to prison camps as part of mass reprisals that include reports of indiscriminate killings, mistreatment and torture, as the “humanitarian” veneer of the west’s military intervention quickly crumbles.

Migrant blacks and sub-Saharan Africans comprise one third of the entire Libyan population, and a minority were hired by Gaddafi as mercenary fighters, but rebels are treating them all as enemy combatants, with reports of abuse, murders and mass arrests increasing in volume.

“Rebel forces and armed civilians are rounding up thousands of black Libyans and migrants from sub-Sahara Africa, accusing them of fighting for ousted strongman Moammar Gadhafi and holding them in makeshift jails across the capital,
” reports the Associated Press.

The AP story notes that virtually all of the victims are innocent migrant workers and have not fought for Gaddafi, but rebels are still rounding them up and interning them in sports stadiums and other prison camps simply on the basis of their skin color.

At least 5,000 men have been detained, but human rights groups put the figure far higher.

However, the abuse goes way beyond mass roundups. African Union chairman Jean Ping told the Washington Post there was clear evidence of reprisal murders. “They are killing people, normal workers, mistreating them,” he stated. The story also relates how 500 Darfuris are “ are desperately trying to get out of Libya…. they very much fear for their lives because of the color of their skin,” according to Richard Sollom, deputy director of Physicians for Human Rights.

Amnesty International investigators have also witnessed abuses at the Central Tripoli Hospital, “including men being dragged from hospital beds and detained,” while also witnessing unidentified dead bodies of black men being transported to the morgue.

The London Independent also reported on how Amnesty representatives witnessed rebels dumping the decomposing bodies of 30 men, almost all of them black, after they were killed outside a makeshift hospital which bore the symbol of the Islamic Crescent.

The killings have been spurred by “apparently overblown, or downright false” rumors “that Gaddafi had hired black African mercenaries from Chad and elsewhere to act as executioners of Libyan civilians, gunning them down in cold blood during protests,” writes Rick Moran.

The potential for abuse, torture and indiscriminate killings of black migrant Libyans to escalate into a substantial program of racial ethnic cleansing carried out by radical Islamist rebels, who are being led by Al-Qaeda terrorists, is why the African Union has refused to support NATO’s act of regime change.

The NATO-backed Libyan Transitional National Council has warned against reprisal killings, but the TNC has little power to stop such atrocities given that terrorist commanders such as Abd Al-Hakim Belhadj and their armies are in control of major cities including Tripoli.

The rebels’ treatment of black Libyans offers further proof to underscore the fact that NATO’s “humanitarian” pretext for intervention was a complete hoax and that western forces have in fact handed an entire country over to mobs of extremists and racists who will continue to discriminate and abuse the black population until it is driven out of the country altogether.

The videos below show clear evidence of blacks, the majority of whom are innocent migrant workers and not Gaddafi loyalists, being mistreated, attacked and killed by Libyan rebels. One particularly disturbing clip shows a black man hung for public display.