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Is Muhammad Movie a Contrived Fraud?

Is Muhammad Movie a Contrived Fraud?

Bizarre story behind film that supposedly sparked middle east unrest

Paul Joseph Watson

An anti-Muslim film that has been blamed for the attacks on U.S. embassies in Egypt, Libya and Yemen is likely a contrived fraud designed to stir up unrest in the Middle East while shielding the true reasons behind the murder of Ambassador Chris Stevens.

A trailer for the film, entitled The Innocence of Muslims, has been on You Tube for over two months. Despite the alleged film maker’s claim that the movie was funded by rich Jewish donors to the tune of $5 million dollars, it has all the quality of a low budget film school project. The trailer has now been banned in several middle eastern countries, including Egypt and Afghanistan.

Indeed, the full film itself may not even exist, a doubt that has also been shared about the existence of its shadowy director Sam Bacile, who told the Associated Press this week that he was a 56-year-old “Israeli Jew” who lives in California, despite telling actors on set that he is Egyptian, while others have claimed he is an American.

Bacile claims he made the film to illustrate how “Islam is a cancer, period.”

However, numerous authorities have failed in attempting to locate a ‘Sam Bacile’ residing in California. Bacile is likely a pseudonym for the only real person who has been positively connected with the movie – Nakoula Basseley Nakoula, a 55-year-old Coptic Christian living in California who was convicted for federal bank fraud in 2010.

The movie itself – or the 14 minutes of it which have been released – is also highly suspect. Actors involved in filming were told “they were appearing in a film about the life of a generic Egyptian 2,000 years ago.” Following the attack on the U.S. Consulate in Benghazi, all 80 cast members put out a joint statement stating that they were misled by the producer.

“The entire cast and crew are extremely upset and feel taken advantage of by the producer. We are 100% not behind this film and were grossly misled about its intent and purpose,” the statement says. “We are shocked by the drastic re-writes of the script and lies that were told to all involved. We are deeply saddened by the tragedies that have occurred.”

The film has been purposely dubbed and edited to elicit maximum outrage from Muslims. The Prophet Muhammad is depicted as a pedophile, a homosexual, a religious phony, a philanderer, a womanizer and a bloodthirsty dictator.

During dialogue, the actors words have been crudely dubbed to include references to Muhammad that were not in the original script.

As Cindy Lee Garcia, an actress involved in the movie, told Gawker, “In the script and during the shooting, nothing indicated the controversial nature of the final product. Muhammed wasn’t even called Muhammed; he was “Master George.”

“The words Muhammed were dubbed over in post-production, as were essentially all other offensive references to Islam and Muhammed,” writes Adrian Chen.

For example, at 9:03 in the trailer, the words “Is your Muhammed a child molester?” are heard, yet the actress’ voice has been dubbed as her lips do not form the word “Muhammed”.

As the Christian Science Monitor summarizes, the film looks like, “it could have been ginned up by someone sitting a basement with cheap dubbing software.”

Everything about the movie suggests it was a contrived fraud to artificially manufacture unrest in the middle east at a time where speculation that the U.S. and Israel are about to launch military interventions in Iran and Syria is rife.

The amateurish nature of the film may be a ruse to deflect suspicion away from its true purpose and the real identities of its creators.

“Those sniffing the air properly smell some sort of intelligence/influence operation in the whole situation,” writes Daniel McAdams, comparing the film to Kony 2012. “A purposely bad cover for what happened in Benghazi yesterday? A badly done attempted cover for what happened yesterday? Arabs — even Muslim Brotherhood — looking to score points by blaming “wealthy Jews” for making the film? A power struggle between Islamist factions in Egypt? Israelis attempting to make it look like Arabs made a crudely anti-Semitic cover story for a crude film?”

What’s known for sure is the fact that the establishment media has seized upon the movie as an excuse to explain away the attacks on the embassies in Cairo and Benghazi as just another instance of extremist Muslims getting riled up over nothing in particular.

Subsequent reports confirmed that the attacks were coordinated well in advance of the release of the Arabic version of the trailer this week and had nothing to do with the film, but the media immediately ran with that narrative.

This conveniently disguises the true narrative behind the attacks, which is the fact that the United States and other NATO powers are seeing their chickens come home to roost having armed and empowered Al-Qaeda affiliated Islamic extremists in pursuit of regime change, most notably in Libya where the removal of Gaddafi was achieved via NATO’s support for the Libyan Islamic Fighting Group – which is listed as a terrorist organization by the State Department and was responsible for killing U.S. troops in Iraq.

Given that these same militants are now being used by Gulf states and NATO powers in a bid to topple President Bashar Al-Assad in Syria, their connection to the embassy attacks must be downplayed. This was evident when NATO stooge Ali Aujali, Libya’s Ambassador to Washington, ludicrously claimed that Gaddafi loyalists were responsible for killing Ambassador Stevens.

With embassies in Yemen, Tunisia and other countries now coming under siege, the mass media’s promotion of what would otherwise have been an obscure, ineffectual and downright laughable 14 minute You Tube trailer has now created a crisis that threatens the stability of the entire region.

The bizarre circumstances behind The Innocence of Muslims, its shadowy creators and the deliberate attempt to manipulate the film to offend Muslims clearly suggests that the whole farce was a contrived set-up to inflame tensions in order to justify an acceleration of U.S., Israeli and NATO aggression across the Middle East and North Africa.

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Mayan Secrets to Be Revealed by Mexican Government

Mayan Secrets to Be Revealed by Mexican Government in ‘2012’ Doc

content by The Wrap

By Steve Pond at TheWrap

The Mexican government is releasing state-held secrets about the end of the Mayan calendar to the makers of a documentary, “Revelations of the Mayans 2012 and Beyond,” TheWrap has learned.

The information — protected for 80 years — is expected to reveal Mayan beliefs in future catastrophes and wisdom characterized as “shocking,” producer Raul Julia-Levy, son of actor Raul Julia, told TheWrap.

The end of the Mayan calendar in December 2012 has long given rise to theories and speculation about the end of the world.

The agreement will allow Julia-Levy to film in never-before-seen locations.

“The Mayans used to construct one pyramid over another,
” tourism minister for the Mexican state of Campeche Luis Augusto Garcia Rosado told TheWrap. “In the site at Calakmul (pictured below right), workers for INAH [the National Institute of Anthropology and History] have discovered rooms inside the pyramid that have never been seen or explored before.

“And we’re letting this documentary film there, to see what has been discovered inside the pyramid.”

Julia-Levy (above) said he’d been made aware of the secret Mayan information by former Mexican president Vicente Fox — a friend of his family — and that it took four years of phone calls to finally get the OK from current president Felipe Calderon.

“This is very important for humanity, not just for Mexico,” said Julia-Levy. “This information has been protected for 80 years, and now it’s important for people to understand the series of events that are coming, and the consequences for all of us.”

The English-language documentary will be directed by Juan Carlos Ruflo (whose other films include the 2006 Sundance winner “In the Pit”), and will begin shooting later this year. Elbert said the filmmakers are talking to investors and waiting for the government to give them their first look at the material and the site.

One big condition from the Mexican government was that the film get an initial theatrical release, which is planned for next fall, said Ed Elbert who is co-producing along with Julia-Levy and Sheila M. McCarthy and executive producer Eduardo Vertiz.

It has to be released before the end of the Mayan calendar, which is Dec. 21, 2012,” said Julia-Levy.

That’s the date that the Mayan calendar — which some believe predicts a worldwide cataclysm — comes to the end of a 5,126-year cycle, and resets for another cycle.

Top 10 Reasons The World Will NOT End In 2012!

Julia-Levy has been specifically ordered not to talk about any of the more mystical possibilities that might strain credulity as Mexico prepares to launch the far-reaching (and tourism-inducing) 2012 Mayan World Program.

At one point, Rosado was quoted in a press release talking about contact between the Mayans and extraterrestrials. That statement has been recalled, and Rosado now paints this as a simpler, more archaeological-oriented documentary.

“At the moment, talk of the Mayans is a big thing,”
Rosado said. “We’ve counted over 3 million websites talking about the end of the Mayan calendar, and we have been contacted by a lot of producers who want to come and film on our sites.”

The project is similar in some ways to a novel Julia-Levy was writing, variously entitled “Chronicles of the Mayan Tunnel” and “Secrets of the Mayan Time Machine.” He and co-producer Elbert were also going to make a 3D movie from that novel starring him and Wesley Snipes, he said in the summer of 2010.

Several reports from that time said the novel was being written with the help of “secret information” never before released by the Mexican government. But in their conversations with TheWrap, Julia-Levy and Elbert dismissed that project as a “Harry Potter”-style piece of fiction with no connection to the current documentary.

That film has been set aside, they said, because Snipes is serving a prison sentence for tax evasion. “We put that film on hold,” said Elbert. “Dollar-wise, this documentary might be smaller, but it is based on the release of new and important knowledge from the Mayans.”

Asked if the movie will involve aliens, mystical elements or doomsday scenarios that have fueled the popular imagination, Julia-Levy declined to elaborate.

“I’m not allowed to speak about that,” he said. “Everything is going to come out in time, but I can’t comment on aliens or on 2012.

“I can just say that the Mexican government is preparing to tell humanity and the world things that are critical for us, for the way we live, for the way we’ve been handling the planet.”

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